Not By Bread Alone

And the word of the LORD came to him: “Depart from here and turn eastward and hide yourself by the brook Cherith, which is east of the Jordan. You shall drink from the brook, and I have commanded the ravens to feed you there.” So he went and did according to the word of the LORD. He went and lived by the brook Cherith that is east of the Jordan. And the ravens brought him bread and meat in the morning, and bread and meat in the evening, and he drank from the brook.
1 Kings 17:2-6

We are coming upon the new year, and I thought I would do one last post before 2012 is ended. It is a piece that I was inspired to do based on my graphic novel Elijah. I haven't been able to do much on my graphic novel for various reasons, but the past couple of weeks I've gone back to my ideas and began brainstorming and working on it. Thankfully, I was able to solve some problems I was running into which lead to me be inspired to take it up again. So, God willing, it is my full intention to really pursue my graphic novel in 2013 and to see if I can finish it within the year. It would be so exciting if I could! For now, I have this piece which I've entitled Not By Bread Alone. Keeping with my inspiration from Amano, I came up with this character piece of Elijah  of the scene where he is being fed by God through ravens at the brook Cherith.

With the movement and the abstraction of the composition, I wanted to achieve a feeling of suspension and serenity considering the scene being depicted. The word of the Lord has come to Elijah to keep himself hidden from King Ahab for a time. There the Lord, by His grace and power, sustains and protects His servant by the brook and the ravens. The surrealistic quality of the water, ravens, and Elijah flowing as one element creates that ethereal atmosphere of a prophet being fed by his God. For it is not merely the physical needs that are being met, but that through this miraculous act of ravens, it shows that it is not by bread alone that we are to live, but by the Word of the Lord; for it was by the word of the Lord that these ravens had come.

It might look as if I had done this image in pen to create the line work, but I actually did this piece all in pencil first. The shading of the ravens behind him and all the lines are pencil work. I then went into Photoshop and did the rest of the coloring and manipulation there. I actually love a lot of the techniques that are used for pen, but I've never been able to get used to the pen itself. So, lately I've been using pen techniques with my pencil work, and have been pleased with the results. As for this piece, I wanted to use those pen techniques to achieve that two-dimensional look. This is a lot like the Japanese woodblock prints that I've discussed before on this blog, but with the texture I've added and the coloring, I've also noticed that it is like the medieval illuminated manuscripts as well. The golden hue of this piece has that glow of the gold leaf that the monks used in their manuscripts at the time to achieve that feeling of the heavenlies. The art of illuminated manuscripts, just like with Art Nouveau, is always there subtly influencing my work.

Well, this is a short post, but as I said, I hope to be posting progress on my graphic novel soon. I hope you all have a Happy New Year!

But he answered,
   “It is written,
“‘Man shall not live by bread alone, 
          but by every word that comes from the mouth of God.’”
Matthew 4:4

Illustrations: Pippi Longstocking

Yes, now I can do another big post! September and October have been full of life, and it is hard juggling all my projects, but I can now show you what I've been doing for a client of mine. I've been doing work for her for over a year now, and most of it has entailed organizing and editing all her photos of her daughter and compiling them together into photobooks. I've done work on a the photobook of her daughter's first year, and now I've been working on her daughter's second year. My client and I thought it would be fun for me to do illustrations as well that could be placed throughout the photobooks as part of the whole design. She knew of my talents and interests in illustration work rather than working with photographs, which is why she I came up with this idea. We did that with her First Year, but in doing the Second Year we decided to push it a little farther. Her daughter adores Pippi Longstocking and carries her little dolls of Pippi and her friends everywhere. She knew that it was something very personal to her daughter and would accurately reflect her second year. With that theme in mind, I decided to come up with my own design of Pippi Longstocking. She is a very popular character, with many different variations of her look, some of them better than others, and I thought I would give my hand in coming up with a concept of this iconic character. I knew it would be an opportunity for me to develop my skills in concept design and something I could use for my portfolio.

I started out with these simple sketches, just playing around with ideas and face shape. I really wanted to do something that would reflect the character, but not make her too awkward like most illustrations of Pippi are. I wanted to show her eccentric, boisterous, and confident personality without it being too garish. My knowledge of the character and her stories was limited, but I've read up on Pippi's backstory and the sort of things that make up her character. She isn't an orphan, but her father is gone most of the time since he is a buccaneer captain, so she spends all her time raising herself and being self-reliant. She has adventures with her friends, forging her own way, outsmarting adults, and causing quite a bit of mischief, though she is well-meaning and friendly. She is a big personality and for some reason she has superhuman strength on top of everything else (inherited from her father). So, I really wanted those strong characteristics to come through.

First Concept of her face.

After doing those initial sketches, I went straight into developing her character. As you can see, what I'm choosing to highlight is her hair, which is one prominent feature, and her clothing, which I think is best in reflecting her personality. Remembering how it was when I was a little girl and being highly imaginative, I liked to collect things that I found while playing with my friends, or I liked just collecting things in general, i.e. cards, marbles, rocks, scarves, etc. I thought that since Pippi was an adventure with a big imagination, she would collect strange things and stick them in her pockets. I also wanted to give her a more old-fashioned looking outfit, with the large skirt and button-up shirt and big, Victorian-styled shoes. As far as I know there is no particular time period that the stories take place, but seeing as the books were published in the 40s and many of the illustrations done are very vintage-esque, I thought I would make the design more old-fashioned than modern. I also thought in giving her a bigger skirt it would create more body to her design and showcase her strong presence. Oh, and another element to her look that I added was the two little pins on the front of her jumper. They are of an anchor and a ship's wheel. I thought this would represent the idea of her father being a captain and how she had lived for most of her early life on that ship before her father bought a house and had her live there thinking that life on the sea was no place to raise a daughter. She loved that life, though, and apparently is a better sailor than most of her father's crew. Having those pins, then, represents that part of her life, which I think isn't readily known about Pippi Longstocking in general. And then, of course, I have her wearing her longstockings.

Final Concept of her face.

After doing the three above sketches, I went ahead and started on my first illustration. However, when I showed it to my client she thought she looked too old. She is supposed to be around 9-10ish and my concept made her look more like a teenager. I agreed with her and went back to redevelop her face. I then came up with the above sketch, which I'm very happy with. I think it expresses her mischievousness and youth. So even though I had done an entire illustration already, it ended up not turning out as well as I had hoped. I was glad, then, that I went back and redeveloped Pippi a little bit more and pushed to have more expression in her face. Looking back now on my initial sketch of Pippi's face, she doesn't have as much life or depth as I was able to achieve after my redevelopment. It has taught me that sometimes, though it may seem I have achieved what I wanted, it might take another pair of eyes or putting it away and returning back to it with fresh eyes to really observe flaws of a piece. I thought it was very helpful to me in my growth as a concept artist.

Without further ado, then, I give you two illustrations I have completed! 

As you'll notice, I have drawn Pippi holding or carrying certain things. This is to make these illustrations personal to my client's daughter. They are things that I incorporated that were what her daughter did during certain sections of the photobook and of her second year. Such as, the second illustration Pippi is holding the flags of Finland and Sweden because my client went with her husband and daughter to spend several months there as a vacation, so this is something that would be meaningful to her daughter, particularly when she is older and look back on that time spent there. Other things include an Easter egg bag or water hose, which represent for that particular section of the photobook, i.e. my client's daughter's Easter as well as the fun time she spent in the hose because she really loves playing in the water. I will be doing this with the rest of the illustrations that I create. It adds that personal touch that will make this photobook special and memorable for my client's daughter. 

I will be posting more illustration work as I go, so there will be more coming up! For now, I hope you enjoy these.

Coming up next: My Avenger's Project: Red in the Ledger. :-)

Leaves and Cactus

For me this month has been full, and I'm still plugging away at my projects. Hang in there, you shall be seeing more stuff soon! In the meantime, I have done some more nature sketches that I can share with you. Yesterday I went with my sister and her fiance to Boyce Thompson Arboretum just outside Superior, Arizona. It is a beautiful desert landscape garden with trails and other recreation activities available. It has a small forest of Eucalyptus Trees, a cactus garden with every sort of cactus you can imagine, twisting and piled high rock formations, desert nooks and crannies, and even a sweet little herb garden. There is so much to look at and explore there and is a perfect place to find a little hideaway spot to just draw. Another point of interest is the large mansion-like house of the Boyce Thompson family that was built when they purchased the land in the early 1900s. It is situated grandly on top of a cliff that plunges into a ravine filled with large trees and foliage. I do not know much on the history, but I do know that they built an elevator within the cliff itself that would take them down right into the ravine. I thought that was really neat. Needless to say, I love visiting this place and spending most of the day with my pencil and sketchbook under the shady trees or overhanging rocks.

                       

 

In these three sketches that I did I applied the same techniques I was speaking of in my last nature post. What I did was I found something that interested me and I would do a quick, rough sketch of the subject. However, instead of continually referring back to the subject as I would sketch, I would rely on my imagination for the rest of it. This way I would keep the piece more conceptual than literal and I could focus on composition and other aesthetics. It has served me well to do this and pushes me to interpret reality in a way that would capture the "spirit" of the subject more fully. I'm happy how these came out. I hope you enjoyed them!